随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

一个人被困在电梯里。

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817

Yair Takes care of his sick mother. She develops dependence upon him while his boyfriend asks him to move in.

A meth amphetamines cook hunts down the former Police chief of a small town in order to silence him before he can deliver eyewitness testimony against his family, but ultimately finds himself up against more than he had bargained for.

几名高中毕业生考入了警察学校，高虹云（张盈真饰）因为家里都是做警察，所以也选择了走警察的路。赵亚男（谭艾珍饰）迷迷糊糊进来，在警察学校里最搞笑的就是她。片中归亚蕾饰演警察学校的队长，因为她雷厉风行的作风，被人取外号为老巫婆。电影后半部分就是这几名女警来到警署见习，跟队长周雄（向云鹏饰）扮便衣抓人，电影还加入了私娼，贩毒的戏份，尤其抓捕贩毒大佬苍蝇的时候，海陆空警员全部出动，将犯人绳之以法的那一刻真叫大快人心。